Imperfect worlds
An explosion of imperfection in the digital age
In anage dominated bystandardization and artificial perfection, three emerging artists invite us to rediscover the beauty of imperfection.
Visitors are invited to immerse themselves in a universe of colors, shapes, and signs that celebrate the beauty of the imperfect and the joy of misunderstanding.
Through vibrant colors, evocative shapes and bold graphic signs, the works on display take us on an introspective journey to discover unique and imperfect inner worlds, just like life itself.
Artificial intelligence and the filters that saturate our daily lives have no place here. Instead, three artists offer us authentic and free art that spurs us to go beyond appearances and embrace the beauty of misunderstanding and interpretive ambiguity.
Not just spectators, but protagonists: the exhibition “Imperfect Worlds” invites the audience to feel part of the creative act. An immersive and liberating experience that allows you to explore your individuality and express yourself.
There is no room for fear of judgment: “Imperfect Worlds” celebrates the freedom to be oneself, recognizing one’s uniqueness as a value of integration with others.
Gabriella Barone (baronessadentro)
He was born in Rome in 1970,
Her aptitude for introspection leads her to find non-traditional channels of communication, passionate about painting, sculpture and writing she combines these passions within her work.
After high school art school, he continued his education, at the Academy of Fine Arts in Urbino, where he met his first mentor Bruno Ceccobelli.
Iron, fiberglass and words are the elements with which he chooses to express himself by making use of research of conceptual origin.
He later entered the world of digital design. Parallel to this is the theme of thecreative act as a meditative and joyful moment.
He works in Milan and lives in the beautiful natural setting of the Upper Tidone Valley.
His current work is characterized by strong expressiveness, conveyed through strong creative gestures.
Natural containers of poetry, colors lines inspired by nature, stages of an intimate journey, which is open to dialogue toward the other.
A poetic acquisition of portions of time and space.
Sara Ricci (Fritte Photo)
Behind FotoFritte is me, Sara.
I, a native of Bondenese (Fe) born December 8, 1971, have always been curious, fascinated by the animal and consequently human world.
The pleasure of reading and the passion of sharing led me to other hobbies.
It was an exciting and engaging journey together with very pleasant people.
Funny is the obviously correct word.
Graduated from the M. Vegio Magistral Institute in Lodi. With a clear Montessori passion.
Entered the Social School of Melegnano (MI) now the Academy of Arts in 1999 under the guidance of Maestro Beccarini.
Degree in veterinary medicine from Milan, Italy.
To date, I practice veterinary medicine at a pharmaceutical company.
Interested for my own pleasure in natural medicines, photography, the arts, reading, painting and breaking–well! this is too personal a trait.
I started the hobby of photography with a shot of my cat Luna that as a composition was horror made image. In the shot were all the boxes of water on the balcony and below at the bottom the cat. I was 9 years old and loved that picture.
Back then there were still rolls of film, and a few dark years given by economic scarcity I had.
The hobby of painting began with color, which has always fascinated me; shapes are secondary for me.
Then in 2012 my dad passed away, and from there I rebuilt a worthy photographic kit and got completely reacquainted with images in the sense of “Image Created.” I then took a few courses and followed a photographer from Ferrara for five years.
“This is stuff from the 1970s”(quoted p. 88 ch. 1 text “Dolores.” Sara Ricci)
Ironmould
Ironmould was founded in 1983 in Venosa, a small town in southern Italy, the kind that offers little but makes you feel good. One of those small towns where if you don’t have a passion you are fried and if you do you run away to chase it.
His passions have always been drawing, illustration and graphic design, but also art and painting, cartoons and comics, computers and technology…
It all started for real when he encountered graffiti, back in 1997, when he started using the pseudonym Ironmould.
Fascinated for as long as he can remember by the world of visual communication and technology, he continued to learn about other art forms and decided to delve further by taking a course in Media Art at the Academy of Fine Arts in Frosinone.
Today he lives and works in Milan.
Littleworld
There are the worlds, the ones we all see, made up of roads, houses, trees, people, vehicles. Perennially before our eyes. And apparently objective. Then there is my world, made up of micro-worlds, a living swarming of shapes, lines and colors that intertwine and generate animals, human or similar figures, benevolent and sometimes monstrous beings, in a whirlwind of vivacity and exasperation.
Micro-worlds are not just a creative quirk, or virtuosic proof of abstraction, but more simply a change of perspective, a new and extra-ordinary point of view with which we approach the visible. It is actually there for all to see. A particular form of pareidolia, that process that causes you to see objects and faces in random, messy shapes and images.
Try it. Look at my drawings: at first glance you will probably see a chaotic composition and little else, then as you pay closer attention you will recognize some early figures, until slowly a myriad of hidden beings begin to emerge from what initially looked like a shapeless pile of entanglements, a purely abstract composition.
Here is my world, my microworlds, the Littleworlds.